https://asiancanadianwiki.org/index.php?action=history&feed=atom&title=Asian_Canadian_Writers%27_Workshop_%28ACWW%29
Asian Canadian Writers' Workshop (ACWW) - Revision history
2026-05-01T11:00:47Z
Revision history for this page on the wiki
MediaWiki 1.39.11
https://asiancanadianwiki.org/index.php?title=Asian_Canadian_Writers%27_Workshop_(ACWW)&diff=16315&oldid=prev
Rparungao at 15:45, 18 July 2013
2013-07-18T15:45:25Z
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ACWW was created out of a need to develop and nurture Pacific Rim Asian writers. Its primary purpose is to foster a community of writers and build a literature. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ACWW was created out of a need to develop and nurture Pacific Rim Asian writers. Its primary purpose is to foster a community of writers and build a literature. </div></td></tr>
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Rparungao
https://asiancanadianwiki.org/index.php?title=Asian_Canadian_Writers%27_Workshop_(ACWW)&diff=16050&oldid=prev
David Mason at 20:00, 24 May 2013
2013-05-24T20:00:14Z
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ACWW was created out of a need to develop and nurture Pacific Rim Asian writers. Its primary purpose is to foster a community of writers and build a literature. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ACWW was created out of a need to develop and nurture Pacific Rim Asian writers. Its primary purpose is to foster a community of writers and build a literature. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>At the height of ACWW, it had developed over 200 members with ACWW chapters in Toronto and Edmonton. ACWW established a number of successes: establishing writing workshops, literary anthologies, book clubs, mentorship of new writers, one-on-one manuscript development sessions, an annual reading series, and launched and maintained the ACWW Emerging Writer’s Award.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>At the height of ACWW, it had developed over 200 members with ACWW chapters in Toronto and Edmonton. ACWW established a number of successes: establishing writing workshops, literary anthologies, book clubs, mentorship of new writers, one-on-one manuscript development sessions, an annual reading series, and launched and maintained the ACWW Emerging Writer’s Award.</div></td></tr>
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David Mason
https://asiancanadianwiki.org/index.php?title=Asian_Canadian_Writers%27_Workshop_(ACWW)&diff=16049&oldid=prev
David Mason at 20:00, 24 May 2013
2013-05-24T20:00:06Z
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David Mason
https://asiancanadianwiki.org/index.php?title=Asian_Canadian_Writers%27_Workshop_(ACWW)&diff=15922&oldid=prev
David Mason at 21:29, 19 May 2013
2013-05-19T21:29:33Z
<p></p>
<a href="https://asiancanadianwiki.org/index.php?title=Asian_Canadian_Writers%27_Workshop_(ACWW)&diff=15922&oldid=15835">Show changes</a>
David Mason
https://asiancanadianwiki.org/index.php?title=Asian_Canadian_Writers%27_Workshop_(ACWW)&diff=15835&oldid=prev
Aa elena: /* History */
2013-05-16T22:52:28Z
<p><span dir="auto"><span class="autocomment">History</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:52, 16 May 2013</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Lydia Kwa ‘s poetry ''The Colours of Heroines'' (1994); <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Lydia Kwa ‘s poetry ''The Colours of Heroines'' (1994); <br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• [[Wayson Choy]]’s ''Jade Peony'' (1995) ; <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• [[Wayson Choy]]’s ''Jade Peony'' (1995) ; <br><br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>• [[<del style="font-weight: bold; text-decoration: none;">Larrisa </del>Lai]]’s ''When Fox was a Thousand'' (1995) <br><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>• [[<ins style="font-weight: bold; text-decoration: none;">Larissa </ins>Lai]]’s ''When Fox was a Thousand'' (1995) <br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Thuong Vuong-Riddick’s ground-breaking bilingual poetry, ''Two Shores / Deux Rives'' (1995). <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Thuong Vuong-Riddick’s ground-breaking bilingual poetry, ''Two Shores / Deux Rives'' (1995). <br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1995 saw the incorporation of the ACWW as a society. Many of these pioneer writers began to win prizes. <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1995 saw the incorporation of the ACWW as a society. Many of these pioneer writers began to win prizes. <br><br></div></td></tr>
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Aa elena
https://asiancanadianwiki.org/index.php?title=Asian_Canadian_Writers%27_Workshop_(ACWW)&diff=15834&oldid=prev
Aa elena: /* History */
2013-05-16T22:51:52Z
<p><span dir="auto"><span class="autocomment">History</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:51, 16 May 2013</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ACWW began the late sixties – early seventies with a handful of community activists turned writers. The earliest publications featured two anthologies: ''Inalienable Rice: A Chinese and Japanese Canadian Anthology'' (1979) and ''West Coast Line: The Asian Canadian and the Arts'' (1981).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ACWW began the late sixties – early seventies with a handful of community activists turned writers. The earliest publications featured two anthologies: ''Inalienable Rice: A Chinese and Japanese Canadian Anthology'' (1979) and ''West Coast Line: The Asian Canadian and the Arts'' (1981).</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Founding members began to publish: <del style="font-weight: bold; text-decoration: none;">[[</del>Paul Yee<del style="font-weight: bold; text-decoration: none;">]]’s </del>''Teach Me How to Fly Skyfighter'' (1983) ( illustrated by [[Sky Lee]]); <del style="font-weight: bold; text-decoration: none;">[[</del>Jim Wong-<del style="font-weight: bold; text-decoration: none;">Chu]]’s </del>''Chinatown Ghosts'' (1986); Paul Yee’s ''Curses of Third Uncle'' (1986), Tales of Gold Mountain (1989); SKY Lee’s ''Disappearing Moon Café'' (1993). These pioneers saw the need to form an organization to promote our history and literary culture. The idea of ACWW was born. The seminal ''Many-Mouthed Birds anthology'' (1991) also served to awaken the mainstream to the richness of Chinese Canadian literature. This was followed by:<br><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Founding members began to publish: Paul Yee<ins style="font-weight: bold; text-decoration: none;">'s </ins>''Teach Me How to Fly Skyfighter'' (1983) ( illustrated by [[Sky Lee]]); Jim Wong-<ins style="font-weight: bold; text-decoration: none;">Chu’s </ins>''Chinatown Ghosts'' (1986); Paul Yee’s ''Curses of Third Uncle'' (1986), Tales of Gold Mountain (1989); SKY Lee’s ''Disappearing Moon Café'' (1993). These pioneers saw the need to form an organization to promote our history and literary culture. The idea of ACWW was born. The seminal ''Many-Mouthed Birds anthology'' (1991) also served to awaken the mainstream to the richness of Chinese Canadian literature. This was followed by:<br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• [[Denise Chong]]’s ''Concubine’s Children'' (1994); <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• [[Denise Chong]]’s ''Concubine’s Children'' (1994); <br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Sky Lee’s ''Bellydancer'' (1994); <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Sky Lee’s ''Bellydancer'' (1994); <br><br></div></td></tr>
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Aa elena
https://asiancanadianwiki.org/index.php?title=Asian_Canadian_Writers%27_Workshop_(ACWW)&diff=15833&oldid=prev
Aa elena: /* History */
2013-05-16T22:49:16Z
<p><span dir="auto"><span class="autocomment">History</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:49, 16 May 2013</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l12">Line 12:</td>
<td colspan="2" class="diff-lineno">Line 12:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ACWW began the late sixties – early seventies with a handful of community activists turned writers. The earliest publications featured two anthologies: ''Inalienable Rice: A Chinese and Japanese Canadian Anthology'' (1979) and ''West Coast Line: The Asian Canadian and the Arts'' (1981).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ACWW began the late sixties – early seventies with a handful of community activists turned writers. The earliest publications featured two anthologies: ''Inalienable Rice: A Chinese and Japanese Canadian Anthology'' (1979) and ''West Coast Line: The Asian Canadian and the Arts'' (1981).</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Founding members began to publish: Paul <del style="font-weight: bold; text-decoration: none;">Yee’s </del>''Teach Me How to Fly Skyfighter'' (1983) ( illustrated by [[Sky Lee]]); Jim Wong-<del style="font-weight: bold; text-decoration: none;">Chu’s </del>''Chinatown Ghosts'' (1986); Paul Yee’s ''Curses of Third Uncle'' (1986), Tales of Gold Mountain (1989); SKY Lee’s ''Disappearing Moon Café'' (1993). These pioneers saw the need to form an organization to promote our history and literary culture. The idea of ACWW was born. The seminal ''Many-Mouthed Birds anthology'' (1991) also served to awaken the mainstream to the richness of Chinese Canadian literature. This was followed by:<br><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Founding members began to publish: <ins style="font-weight: bold; text-decoration: none;">[[</ins>Paul <ins style="font-weight: bold; text-decoration: none;">Yee]]’s </ins>''Teach Me How to Fly Skyfighter'' (1983) ( illustrated by [[Sky Lee]]); <ins style="font-weight: bold; text-decoration: none;">[[</ins>Jim Wong-<ins style="font-weight: bold; text-decoration: none;">Chu]]’s </ins>''Chinatown Ghosts'' (1986); Paul Yee’s ''Curses of Third Uncle'' (1986), Tales of Gold Mountain (1989); SKY Lee’s ''Disappearing Moon Café'' (1993). These pioneers saw the need to form an organization to promote our history and literary culture. The idea of ACWW was born. The seminal ''Many-Mouthed Birds anthology'' (1991) also served to awaken the mainstream to the richness of Chinese Canadian literature. This was followed by:<br><br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>• Denise <del style="font-weight: bold; text-decoration: none;">Chong’s </del>''Concubine’s Children'' (1994); <br><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>• <ins style="font-weight: bold; text-decoration: none;">[[</ins>Denise <ins style="font-weight: bold; text-decoration: none;">Chong]]’s </ins>''Concubine’s Children'' (1994); <br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Sky Lee’s ''Bellydancer'' (1994); <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Sky Lee’s ''Bellydancer'' (1994); <br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Lydia Kwa ‘s poetry ''The Colours of Heroines'' (1994); <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Lydia Kwa ‘s poetry ''The Colours of Heroines'' (1994); <br><br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>• Wayson <del style="font-weight: bold; text-decoration: none;">Choy’s </del>''Jade Peony'' (1995) ; <br><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>• <ins style="font-weight: bold; text-decoration: none;">[[</ins>Wayson <ins style="font-weight: bold; text-decoration: none;">Choy]]’s </ins>''Jade Peony'' (1995) ; <br><br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>• Larrisa <del style="font-weight: bold; text-decoration: none;">Lai’s </del>''When Fox was a Thousand'' (1995) <br><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>• <ins style="font-weight: bold; text-decoration: none;">[[</ins>Larrisa <ins style="font-weight: bold; text-decoration: none;">Lai]]’s </ins>''When Fox was a Thousand'' (1995) <br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Thuong Vuong-Riddick’s ground-breaking bilingual poetry, ''Two Shores / Deux Rives'' (1995). <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Thuong Vuong-Riddick’s ground-breaking bilingual poetry, ''Two Shores / Deux Rives'' (1995). <br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1995 saw the incorporation of the ACWW as a society. Many of these pioneer writers began to win prizes. <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1995 saw the incorporation of the ACWW as a society. Many of these pioneer writers began to win prizes. <br><br></div></td></tr>
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Aa elena
https://asiancanadianwiki.org/index.php?title=Asian_Canadian_Writers%27_Workshop_(ACWW)&diff=15832&oldid=prev
Aa elena: /* History */
2013-05-16T22:47:47Z
<p><span dir="auto"><span class="autocomment">History</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:47, 16 May 2013</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l12">Line 12:</td>
<td colspan="2" class="diff-lineno">Line 12:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ACWW began the late sixties – early seventies with a handful of community activists turned writers. The earliest publications featured two anthologies: ''Inalienable Rice: A Chinese and Japanese Canadian Anthology'' (1979) and ''West Coast Line: The Asian Canadian and the Arts'' (1981).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ACWW began the late sixties – early seventies with a handful of community activists turned writers. The earliest publications featured two anthologies: ''Inalienable Rice: A Chinese and Japanese Canadian Anthology'' (1979) and ''West Coast Line: The Asian Canadian and the Arts'' (1981).</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Founding members began to publish: Paul Yee’s ''Teach Me How to Fly Skyfighter'' (1983) ( illustrated by [[<del style="font-weight: bold; text-decoration: none;">Sky_Lee</del>]]); Jim Wong-Chu’s ''Chinatown Ghosts'' (1986); Paul Yee’s ''Curses of Third Uncle'' (1986), Tales of Gold Mountain (1989); SKY Lee’s ''Disappearing Moon Café'' (1993). These pioneers saw the need to form an organization to promote our history and literary culture. The idea of ACWW was born. The seminal ''Many-Mouthed Birds anthology'' (1991) also served to awaken the mainstream to the richness of Chinese Canadian literature. This was followed by:<br><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Founding members began to publish: Paul Yee’s ''Teach Me How to Fly Skyfighter'' (1983) ( illustrated by [[<ins style="font-weight: bold; text-decoration: none;">Sky Lee</ins>]]); Jim Wong-Chu’s ''Chinatown Ghosts'' (1986); Paul Yee’s ''Curses of Third Uncle'' (1986), Tales of Gold Mountain (1989); SKY Lee’s ''Disappearing Moon Café'' (1993). These pioneers saw the need to form an organization to promote our history and literary culture. The idea of ACWW was born. The seminal ''Many-Mouthed Birds anthology'' (1991) also served to awaken the mainstream to the richness of Chinese Canadian literature. This was followed by:<br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Denise Chong’s ''Concubine’s Children'' (1994); <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Denise Chong’s ''Concubine’s Children'' (1994); <br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Sky Lee’s ''Bellydancer'' (1994); <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Sky Lee’s ''Bellydancer'' (1994); <br><br></div></td></tr>
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Aa elena
https://asiancanadianwiki.org/index.php?title=Asian_Canadian_Writers%27_Workshop_(ACWW)&diff=15826&oldid=prev
Aa elena: /* History */
2013-05-16T22:40:26Z
<p><span dir="auto"><span class="autocomment">History</span></span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:40, 16 May 2013</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l12">Line 12:</td>
<td colspan="2" class="diff-lineno">Line 12:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ACWW began the late sixties – early seventies with a handful of community activists turned writers. The earliest publications featured two anthologies: ''Inalienable Rice: A Chinese and Japanese Canadian Anthology'' (1979) and ''West Coast Line: The Asian Canadian and the Arts'' (1981).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ACWW began the late sixties – early seventies with a handful of community activists turned writers. The earliest publications featured two anthologies: ''Inalienable Rice: A Chinese and Japanese Canadian Anthology'' (1979) and ''West Coast Line: The Asian Canadian and the Arts'' (1981).</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Founding members began to publish: Paul Yee’s ''Teach Me How to Fly Skyfighter'' (1983) ( illustrated by [[<del style="font-weight: bold; text-decoration: none;">SKY Lee</del>]]); Jim Wong-Chu’s ''Chinatown Ghosts'' (1986); Paul Yee’s ''Curses of Third Uncle'' (1986), Tales of Gold Mountain (1989); SKY Lee’s ''Disappearing Moon Café'' (1993). These pioneers saw the need to form an organization to promote our history and literary culture. The idea of ACWW was born. The seminal ''Many-Mouthed Birds anthology'' (1991) also served to awaken the mainstream to the richness of Chinese Canadian literature. This was followed by:<br><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Founding members began to publish: Paul Yee’s ''Teach Me How to Fly Skyfighter'' (1983) ( illustrated by [[<ins style="font-weight: bold; text-decoration: none;">Sky_Lee</ins>]]); Jim Wong-Chu’s ''Chinatown Ghosts'' (1986); Paul Yee’s ''Curses of Third Uncle'' (1986), Tales of Gold Mountain (1989); SKY Lee’s ''Disappearing Moon Café'' (1993). These pioneers saw the need to form an organization to promote our history and literary culture. The idea of ACWW was born. The seminal ''Many-Mouthed Birds anthology'' (1991) also served to awaken the mainstream to the richness of Chinese Canadian literature. This was followed by:<br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Denise Chong’s ''Concubine’s Children'' (1994); <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Denise Chong’s ''Concubine’s Children'' (1994); <br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Sky Lee’s ''Bellydancer'' (1994); <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Sky Lee’s ''Bellydancer'' (1994); <br><br></div></td></tr>
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Aa elena
https://asiancanadianwiki.org/index.php?title=Asian_Canadian_Writers%27_Workshop_(ACWW)&diff=15825&oldid=prev
Aa elena: /* History */
2013-05-16T22:40:01Z
<p><span dir="auto"><span class="autocomment">History</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:40, 16 May 2013</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ACWW began the late sixties – early seventies with a handful of community activists turned writers. The earliest publications featured two anthologies: ''Inalienable Rice: A Chinese and Japanese Canadian Anthology'' (1979) and ''West Coast Line: The Asian Canadian and the Arts'' (1981).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ACWW began the late sixties – early seventies with a handful of community activists turned writers. The earliest publications featured two anthologies: ''Inalienable Rice: A Chinese and Japanese Canadian Anthology'' (1979) and ''West Coast Line: The Asian Canadian and the Arts'' (1981).</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Founding members began to publish: Paul Yee’s ''Teach Me How to Fly Skyfighter'' (1983) ( illustrated by SKY Lee); Jim Wong-Chu’s ''Chinatown Ghosts'' (1986); Paul Yee’s ''Curses of Third Uncle'' (1986), Tales of Gold Mountain (1989); SKY Lee’s ''Disappearing Moon Café'' (1993). These pioneers saw the need to form an organization to promote our history and literary culture. The idea of ACWW was born. The seminal ''Many-Mouthed Birds anthology'' (1991) also served to awaken the mainstream to the richness of Chinese Canadian literature. This was followed by:<br><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Founding members began to publish: Paul Yee’s ''Teach Me How to Fly Skyfighter'' (1983) ( illustrated by <ins style="font-weight: bold; text-decoration: none;">[[</ins>SKY Lee<ins style="font-weight: bold; text-decoration: none;">]]</ins>); Jim Wong-Chu’s ''Chinatown Ghosts'' (1986); Paul Yee’s ''Curses of Third Uncle'' (1986), Tales of Gold Mountain (1989); SKY Lee’s ''Disappearing Moon Café'' (1993). These pioneers saw the need to form an organization to promote our history and literary culture. The idea of ACWW was born. The seminal ''Many-Mouthed Birds anthology'' (1991) also served to awaken the mainstream to the richness of Chinese Canadian literature. This was followed by:<br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Denise Chong’s ''Concubine’s Children'' (1994); <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Denise Chong’s ''Concubine’s Children'' (1994); <br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Sky Lee’s ''Bellydancer'' (1994); <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• Sky Lee’s ''Bellydancer'' (1994); <br><br></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l27">Line 27:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Up to the end of that first decade, ACWW was a major influence on the Asian Canadian literary world and worked hard to uncover emerging writing talent and assisting them in finding publishers. ACWW fundraised to create an ACWW Emerging Writer’s Award. The $4,000 award was innovative because it was a strategy to attract manuscripts from emerging writers. The $4000 award was given to the publisher as incentive to help cover editing and production costs. Although there could only be one winner, ACWW worked on the other manuscripts in hopes that one day they too will find their way to a publisher. <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Up to the end of that first decade, ACWW was a major influence on the Asian Canadian literary world and worked hard to uncover emerging writing talent and assisting them in finding publishers. ACWW fundraised to create an ACWW Emerging Writer’s Award. The $4,000 award was innovative because it was a strategy to attract manuscripts from emerging writers. The $4000 award was given to the publisher as incentive to help cover editing and production costs. Although there could only be one winner, ACWW worked on the other manuscripts in hopes that one day they too will find their way to a publisher. <br><br></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• One of these success stories is Terry Woo’s ground-breaking ''Banana Boy''s (2005). It was one of those shortlisted for the 1999 Asian-Canadian Writers' Workshop Award. <br><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>• One of these success stories is Terry Woo’s ground-breaking ''Banana Boy''s (2005). It was one of those shortlisted for the 1999 Asian-Canadian Writers' Workshop Award. <br><br></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Emerging Writer's Award ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Emerging Writer's Award ==</div></td></tr>
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Aa elena