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Paul Wong: Difference between revisions
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Described as a Chinese-Canadian Warhol, Wong’s work is in your face, radical, eccentric, sexy, campy, shocking, experimental and spontaneous. He is a media subversive, a video renegade relying on artistic entrepreneurial smarts and is a raw originality with an eye for social context, driven by an insatiable search for identity, community and authenticity. Wong is constantly redefining his role as an artist and cultural strategist staying ten projects ahead of even himself and always unpredictable. | Described as a Chinese-Canadian Warhol, Wong’s work is in your face, radical, eccentric, sexy, campy, shocking, experimental and spontaneous. He is a media subversive, a video renegade relying on artistic entrepreneurial smarts and is a raw originality with an eye for social context, driven by an insatiable search for identity, community and authenticity. Wong is constantly redefining his role as an artist and cultural strategist staying ten projects ahead of even himself and always unpredictable. | ||
Wong has produced projects and shown his work throughout Canada, as well as in China and Hong Kong, Italy, Japan, Korea, the Netherlands, the UK and in the United States amongst elsewhere. His works are in many public collections including those of the National Gallery of Canada, the Museum of Modern Art (New York), the Canada Council Art Bank (Ottawa), and the Vancouver Art Gallery. | Wong has produced projects and shown his work throughout Canada, as well as in China and Hong Kong, Italy, Japan, Korea, the Netherlands, the UK and in the United States amongst elsewhere. His works are in many public collections including those of the National Gallery of Canada, the Museum of Modern Art (New York), the Canada Council Art Bank (Ottawa), and the Vancouver Art Gallery. | ||