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Alice Ho: Difference between revisions
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Ms. Ho’s works have been often performed at national and international new music festivals: ISCM World Music Days, Ottawa Chamberfest, Demark's CRUSH New Music Festival, Asian Music Week in Japan, Winnipeg New Music Festival, Ottawa Chamber Music Festival, Kitchener Open Ears Festival of Music, and NFL's Sound Symposium etc. They have also been played by major ensembles, including the China National Symphony, Shanghai Philharmonic Orchestra, Radio Television Symphonic Orchestra of Serbia, CBC Vancouver Orchestra, Florida Orchestra, the Toronto, Winnipeg, Victoria, and South Dakota Symphonies, Polish Radio Choir, Luxembourg Sinfonietta, Amsterdam’s Nieuw Ensemble, and Le Nouvel Ensemble Moderne in Montreal. | Ms. Ho’s works have been often performed at national and international new music festivals: ISCM World Music Days, Ottawa Chamberfest, Demark's CRUSH New Music Festival, Asian Music Week in Japan, Winnipeg New Music Festival, Ottawa Chamber Music Festival, Kitchener Open Ears Festival of Music, and NFL's Sound Symposium etc. They have also been played by major ensembles, including the China National Symphony, Shanghai Philharmonic Orchestra, Radio Television Symphonic Orchestra of Serbia, CBC Vancouver Orchestra, Florida Orchestra, the Toronto, Winnipeg, Victoria, and South Dakota Symphonies, Polish Radio Choir, Luxembourg Sinfonietta, Amsterdam’s Nieuw Ensemble, and Le Nouvel Ensemble Moderne in Montreal. | ||
Her commissions include works for the Penderecki String Quartet, Esprit Orchestra, New Music Concerts, Amici Chamber Ensemble, Tapestry New Opera Works, a double concerto for violist Rivka Golani and bassist Joel Quarrington, a double concerto for Duo Concertante (violinist Nancy Dahn and pianist Timothy Steeves), a “Dance” Concerto for the Newfoundland Symphony with | Her commissions include works for the Penderecki String Quartet, Esprit Orchestra, New Music Concerts, Amici Chamber Ensemble, Tapestry New Opera Works, a double concerto for violist Rivka Golani and bassist Joel Quarrington, a double concerto for Duo Concertante (violinist Nancy Dahn and pianist Timothy Steeves), a “Dance” Concerto for the Newfoundland Symphony with [http://asiancanadianwiki.org/wiki/William_Lau Chinese dancer William Lau], a percussion concerto for Canadian virtuoso Beverley Johnston, and a cello concerto for Wendy Law and the Hong Kong Sinfonietta. She also wrote the score for the prizewinning independent film Garage (2006 Calgary International Film Festival). Her discography includes releases on the Centrediscs, Blue Griffin, Electra and Phoenix labels. | ||
{{From|url http://www.alicepingyeeho.com/bio.html}} | {{From|url http://www.alicepingyeeho.com/bio.html}} | ||