Jim Wong Chu: Difference between revisions

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In the mid-‘60s and mid-‘70s, a lot of Asian Canadian writers were looking to get published. In the 1970s, Canada Council was supplying a lot of money to independent publishers, and there was a lack of voice coming from the Asian Canadian communities.  [[Inalienable Rice|Inalieable Rice: A Chinese and Japanese Anthology]] (1979) was the most groundbreaking as the first ever Asian Canadian anthology.   
In the mid-‘60s and mid-‘70s, a lot of Asian Canadian writers were looking to get published. In the 1970s, Canada Council was supplying a lot of money to independent publishers, and there was a lack of voice coming from the Asian Canadian communities.  [[Inalienable Rice|Inalieable Rice: A Chinese and Japanese Anthology]] (1979) was the most groundbreaking as the first ever Asian Canadian anthology.   


Before Asian Canadian writing was considered a genre unto itself, one of Wong-Chu’s most critical projects took place in the library stacks of the University of British Columbia, where he went over the entire inventory of books with a fine-tooth comb, looking up literary magazines dating back 10 to 20 years. His mission in 1989 was to map all Asian Canadian writers and their material, finally compiling them into an anthology of Asian Canadian literature.  Taking the twenty best works, Wong-Chu and co-editor Bennett Lee published an anthology called [[Many Mouthed Birds|Many Mouthed Birds]]. [[File:Many_mouthed_birds.jpg|thumb|right|''[[Many Mouthed Birds]]'']]
Before Asian Canadian writing was considered a genre unto itself, one of Wong-Chu’s most critical projects took place in the library stacks of the University of British Columbia, where he went over the entire inventory of books with a fine-tooth comb, looking up literary magazines dating back 10 to 20 years. His mission in 1989 was to map all Asian Canadian writers and their material, finally compiling them into an anthology of Asian Canadian literature.  Taking the twenty best works, Wong-Chu and co-editor Bennett Lee published an anthology called [[Many Mouthed Birds|Many Mouthed Birds]]. [[File:Many_mouthed_birds.jpg|thumb|right|''[[Many Mouthed Birds] (1991)]'']]


Responding to the lack of support for Asian Canadian arts, Wong-Chu was a co-founder of the Asian Canadian Performing Arts Resource (ACPAR) in 1995. ACPAR organized the "Go-for-Broke-Revue," presented at the Firehall Arts Centre in the fall of 1995. In 1997, the Asian Canadian Writers Workshop fundraised to establish the Emerging Writer's Award, a $4000 grant. The first recipient was Rita Wong's <i>Monkeypuzzle</i>.  
Responding to the lack of support for Asian Canadian arts, Wong-Chu was a co-founder of the Asian Canadian Performing Arts Resource (ACPAR) in 1995. ACPAR organized the "Go-for-Broke-Revue," presented at the Firehall Arts Centre in the fall of 1995. In 1997, the Asian Canadian Writers Workshop fundraised to establish the Emerging Writer's Award, a $4000 grant. The first recipient was Rita Wong's <i>Monkeypuzzle</i>.  
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The publishing of this anthology created the phenomenon of Asian Canadian writing that exists today. One of the short stories included [[Wayson Choy]]'s piece, who later turned expanded into the Vancouver Book award-winning Jade Peony. In addition to co-editing Many Mouthed Birds, Wong-Chu also co-edited with [[Andy Quan]] Swallowing Clouds, published by Arsenal Pulp Press in 1999.[[File:1551520737_SwallowingClouds.jpg|thumb|left|''[[Swallowing Clouds(1999)]]'']].
The publishing of this anthology created the phenomenon of Asian Canadian writing that exists today. One of the short stories included [[Wayson Choy]]'s piece, who later turned expanded into the Vancouver Book award-winning Jade Peony. In addition to co-editing Many Mouthed Birds, Wong-Chu also co-edited with [[Andy Quan]] Swallowing Clouds, published by Arsenal Pulp Press in 1999.[[File:1551520737_SwallowingClouds.jpg|thumb|left|''[[Swallowing Clouds(1999)]]'']].
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==Asian Canadian Writer's Workshop==
==Asian Canadian Writer's Workshop==


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