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	Terry Watada is a Toronto writer with many titles to his credit. His publications include ''The Sword, the Medal and the Rosary'' (a manga, HpF Press and the NAJC), ''The TBC'': the Toronto Buddhist Church, 1995 - 2010, (non-fiction, HpF Press & the Toronto Buddhist Church 2010), ''Kuroshio: The Blood of Foxes,'' (novel, Arsenal Pulp Press 2007), ''Obon: the Festival of the Dead'' (poetry, Thistledown Press 2006), ''Ten Thousand Views of Rain'' (poetry, Thistledown Press 2001), Seeing the Invisible (a children’s biography, Umbrella Press 1998), ''Daruma Days'' (short fiction, Ronsdale Press 1997), ''Bukkyo Tozen: a History of Buddhism in Canada'' (non-fiction, HpF Press & the Toronto Buddhist Church 1996) and ''A Thousand Homes'' (poetry, Mercury Press 1995). Most books available on Amazon.		Terry Watada is a Toronto writer with many titles to his credit. His publications include ''The Sword, the Medal and the Rosary'' (a manga, HpF Press and the NAJC), ''The TBC'': the Toronto Buddhist Church, 1995 - 2010, (non-fiction, HpF Press & the Toronto Buddhist Church 2010), ''Kuroshio: The Blood of Foxes,'' (novel, Arsenal Pulp Press 2007), ''Obon: the Festival of the Dead'' (poetry, Thistledown Press 2006), ''Ten Thousand Views of Rain'' (poetry, Thistledown Press 2001), ''Seeing the Invisible'' (a children’s biography, Umbrella Press 1998), ''Daruma Days'' (short fiction, Ronsdale Press 1997), ''Bukkyo Tozen: a History of Buddhism in Canada'' (non-fiction, HpF Press & the Toronto Buddhist Church 1996) and ''A Thousand Homes'' (poetry, Mercury Press 1995). Most books available on Amazon.

	As a playwright, he has seen seven of his plays achieve mainstage production; his best known is perhaps Vincent, a play about a Toronto family dealing with a schizophrenic son. Workman Arts of Toronto has remounted it several times since its premiere in 1993. Most notably, it was produced at the National Arts Centre in Ottawa and the first and second Madness and Arts World Festival in Toronto and Muenster, Germany, respectively.		As a playwright, he has seen seven of his plays achieve mainstage production; his best known is perhaps Vincent, a play about a Toronto family dealing with a schizophrenic son. Workman Arts of Toronto has remounted it several times since its premiere in 1993. Most notably, it was produced at the National Arts Centre in Ottawa and the first and second Madness and Arts World Festival in Toronto and Muenster, Germany, respectively.