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existing for 4 years has been to create a community environment by exploring and developing urban | existing for 4 years has been to create a community environment by exploring and developing urban | ||
gardening in Chinatown with locally alternative food culture. | gardening in Chinatown with locally alternative food culture. | ||
==Mi-jeong Lee== | |||
Mi-jeong Lee is an independent filmmaker, writer, video artist, and curator. She was born in Seoul, South Korea and began her professional career as a journalist from 1984, then her interest shifted onto arts and became a practitioner in arts since her migration to Montreal in 1991. She is currently completing her Ph.D research-creation in the department of Études et Pratiques des Arts at Université de Québec à Montréal and a member of Senselab - a laboratory for thought in motion - that is affiliated with Concordia University, where she works as an Asian cinema consultant. | |||
Her Korean-language novelization of the Luc Besson's film "Le Grand Bleu" was published in 1993 in Korea. Lee opened up her knowledge of world cinema by watching films and meeting Asian filmmakers at various international film festivals. Her first film script project, Naked Fish, was award to receive a script development funding from National Film Board of Canada in 1995 as a foreign student. This proposition influenced her to reside in Montreal and began filmmaking. Her independent film works are "I Am the Park", "Façcades", "Underground", "Breathe", as well as the video installation piece "Turn Around." Living in Canada as an Asian, she became intricately interest in the issues of Asian culture and identity, which resulted in her founding of Asian film-related festivals and activities since twenty years ago, as well as a non-profit organization: Ciné-Asie (www.cine-asie.ca), AmérAsia Asian Film Festival (www.amerasiafestival.com), Korean Film Festival (www.koreanfilm.ca), and production/distribution company CINEASIE Creatives (www.cineasiecreatives.com). | |||
Subject of the presentation: | |||
I raise a question very often to myself, "Why am I struggling to keep on the 4th edition of AmérAsia Montreal Film Festival as a filmmaker? My presentation will be about my ongoing problem as an art practitioner. | |||