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Korean-born, raised in France and currently based in Montreal. Florent Cachot is an artist and teacher in the world of the digital art in Montreal. Since his young age he never stops exploring his own identity. Nowadays, he tries to make his own life as a living project inside a powerful shape-shifting phenomenological context where he is exploring what does it mean to become a human being. The kind of space where we can generate a space of love and inspiration in a world of resignation. Living in a world of possibilites beyond judgments,labels, or other social expectations.
Korean-born, raised in France and currently based in Montreal. Florent Cachot is an artist and teacher in the world of the digital art in Montreal. Since his young age he never stops exploring his own identity. Nowadays, he tries to make his own life as a living project inside a powerful shape-shifting phenomenological context where he is exploring what does it mean to become a human being. The kind of space where we can generate a space of love and inspiration in a world of resignation. Living in a world of possibilites beyond judgments,labels, or other social expectations.


==Farah Fancy==
Farah Fancy is an arts manager, artist, community worker and consultant who for over 20 years has been using an ethnographic process to create socially engaged dance, music, and theatre performances. As a result she founded Le groupe herencias with a mission to promote, educate and collaborate with the artists and community she works with to find new ways to explore our heritage and identity across gender, religion, class, generation and culture. For example, she is the General Manager of choreographer Julio Hong, who fuses contemporary, ballet and folkloric forms to explore identity; Rencontres/Encounters theatre ensemble a socially engaged project that uses relationship building to overcome difference; Rumbakwa, an afro latin electro band that is inspired by refugee experiences in Quebec; and the conception designer for Elders Makes Waves movement with RECAA ( Respecting Elders, Communities Against Abuse). Farah also works with a number of organizations and institutions to consult on how to art can be used as a tool to resolve structural problems within organizations, foster economic development, and facilitate cultural understanding.


Farah Fancy est un gestionnaire des arts, une artiste, travailleur communautaire et consultant qui, depuis plus de 20 ans, utilise un processus ethnographique pour créer des spectacles de danse, de musique et de théâtre socialement engagés. En conséquence, elle a fondé Le groupe herencias dans le but de promouvoir, d'éduquer et de collaborer avec les artistes et la communauté avec lesquels elle travaille pour trouver de nouvelles façons d'explorer notre patrimoine et notre identité sur le genre, la religion, la classe, la génération et la culture. Par exemple, elle est la directrice générale du chorégraphe Julio Hong, qui fusionne les formes contemporaines, de ballet et folkloriques pour explorer l'identité; Rencontres / Encounters  ensemble de théâtre un projet socialement engagé qui utilise le bâtiment relationnel pour surmonter la différence; Rumbakwa, une orchestre afro latin inspirée des expériences de réfugiés au Québec; Et le concepteur de concepteur pour le mouvement Elders Makes Waves avec RECAA (Respecting Elders, Communities Against Abuse). Farah travaille également avec un certain nombre des organisations et d'institutions pour consulter comment l'art peut être utilisé comme outil pour résoudre les problèmes structurels au sein des organisations, favoriser le développement économique et faciliter la compréhension culturelle.


=Welcome to Ginger Garden 2016=
=Welcome to Ginger Garden 2016=
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